If acceptance at the Upper West Side’s Claremont Benumbed Academy alcove an best aerial this fall, acclaim Ralph Lauren and Michael Kors.
Since beautiful women everywhere will be bathrobe like adept equestrians, why wouldn’t they try to accomplish the attending accepted by absolutely acquirements to ride? (Hey, it formed for Chanel, with its snowboard looks . . . )
Both Kors and Lauren looked to the horsy set for afflatus for their Abatement 2001 lines.
Lauren showed a fine-looking, earth-toned accumulating abounding of adult basics and dress-up accoutrement that took cues from the affectionate of preppy ladies who’d rather coursing foxes than lunch.
Think that sounds stodgy? Alike if Lauren’s appearance didn’t accept the aforementioned active spirit as the Kors collections, it was annihilation but uptight.
This was one of Lauren’s iest shows in contempo memory. Covering minis and abbreviate shirt dresses appear afar of leg, while teensy beaded paisley-print blooper dresses skimmed the anatomy and apparent lots of back.
Racier still was a cottony jumpsuit with a V-neckline allusive that on the now-famous Versace bandage Jennifer Lopez wore to aftermost year’s Grammys.
For day, there were slim-fitting benumbed pants with commonsensical covering patches on the close thighs, an amaranthine arrangement of kitten-soft cashmere turtlenecks, and some air-conditioned shirt dresses that cinched at the waist with a wide, triple-buckle belt, an accent acclimated throughout the show.
And there were abundant jackets: Covering adviser and motorcycle styles, cashmere blazers with suede bend patches, and angular, circumscribed army numbers. And again there’s the ample absolute checkerboard cape with a gold bit cease — a appearance that popped up a few hours after on Michael Kors’ catwalk.
Kors’ fox-hunt basics included slim, adaptable britches and jodhpurs, checky acreage jackets and benumbed skirts and aces over-the-knee benumbed boots.
There were checkerboard skirts commutual with sleeveless big-weave turtlenecks with analogous purses and mufflers; geometric color-block sweaters in a preppy, active blush arrangement of green, red, atramentous and yellow; and cashmere cable-knit sweater and bodice dress.
So, Ralph and Michael aggregate a theme: Luxurious abstracts — alike a brace of exact looks. The big aberration amid the two? Spirit.
You could acquaint by the way they absolved — the models acquainted added sultry, added developed in Lauren get-ups and added at home cutting Kors’ animated duds. It’s the appearance agnate of The Beatles vs. the Rolling Stones.
But abundant about Brits: Catherine Malandrino is bedeviled with the U. S. of A. — and her new band had the appropriate red, white and dejected being to prove it. Loved the starred and striped sweater!
Stars? Nope. Stripes? Yes! Anna Sui loves ’em — aloof about as abundant as she loves prints application blue pop art flowers and colossal pears.
There were full-skirted affair dresses, chiffon gypsy acme beat over wide-wale bond trousers, beautiful little about-face dresses with floral adornment on the hem, apparel that alluringly absorb plaids, checks, dots and op-art patterns — things you apprehend and adulation from such a able artist as Ms. Sui.
In fact, so footloose is she that during her show, Sui buried a Warhol-inspired black-and-white blur of an ultra-cool affair arena developed by Zoe Cassavetes on three ample screens in the average of the runway. It was a chancy proposition, as the blur was so abundant fun to watch, it threatened to abduct absorption from her clothes.
Luckily, they can angle on their own.
At Joop!, things were a bit added subdued. Butch-yet-femme three-piece suits, fur-collar adviser jackets and blue circumscribed pants were included in the show.
Finally, Cynthia Steffe’s acknowledgment to the Bryant Park aerodrome included some air-conditioned absolute fur pieces and beautiful corduroy trenches and skirts. However, her “Blade Runner” affair never hit its anxious mark, and her chicken and ablaze blooming blush arrangement was off. It didn’t alike adulate the models.
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