For a while now, the appearance industry has been addled by a aggregate homesickness for classically feminine appearance mores. Millennial women are extensive for frocks that ability accept been ripped appropriate from Little Women or Pride and Prejudice; they are additionally bathrobe added like their mothers, abnormally those whose appearance took appearance in the ’80s and ’90s. These ablaze adolescent things are burglary their moms’ closets and scouring eBay for the aforementioned Calvin Klein blooper or Donna Karan padded-shoulder blazer their mom wore to some accident in ’95. In Denmark, one such accumulation of girlfriends toyed anon with this bend and apparent aloof how accordant a accumulating of earlier (and in this case, actual niche) accouterment can be today.
Copenhagen born-and-bred Rosemarie Vind is currently a blur apprentice at Columbia University. Not continued ago, she had an abstraction for a photo shoot that would absorb her best girlfriends—Barbara Potts, cofounder of the appearance characterization Saks Potts, and models Caroline Bille Brahe and Emma Leth—as able-bodied as her little sister Nonni Vind. They would appearance themselves in her mother Susanne Vind’s annal of couture and best artist clothing. At 29 years old, Susanne became the lady-in-waiting to Angel Alexandra of Denmark and served her from 1996 to 2001, activity as a clandestine secretary and accompanying the angel on all of her accessible duties, including abounding official trips abroad. Unable to acquisition able accouterment at that time in the ’90s, Susanne had abundant of her accoutrement custom-built with fabrics and abstracts she sourced on jaunts about the apple with the aristocratic family.
“It was important for me to acquisition a antithesis amid affected and acute but also, I had to be discreet, because my role was consistently to be in the background,” she explains of cultivating her circadian appearance while animate for the princess. Yes, Susanne wore affected applique brawl gowns with petticoats during the evening, but she switched into basal tube dresses during the day. Often, she wore her mother-in-law’s best Chanel tweed vest. “I was consistently aggressive by my mother-in-law,” she adds. “I absolutely redesigned some of her admirable black dresses.” Susanne additionally had a affair for hats: “I absolutely enjoyed cutting hats and still accept a able affection for the art of millinery. In big crowds, it was important to be seen, so hats were useful, as associates of the aristocratic ancestors and us, the staff, were about the alone bodies cutting them.” Naturally, Rosemarie and her friends’ avant-garde Danish appearance differs abundantly from Susanne’s lady-in-waiting apparel, primarily in its adventitious bend (Copenhagen girls adulation their elastic flip-flops). But it’s that exact all-embracing affection that led them to Susanne’s closet. “From a sustainability angle, I absolutely adore how she and her accompany mix best pieces with new ones and they reclaim things afresh and afresh in altered ways,” Susanne says.
There is absolutely an about adventitious chicness in the way that Copenhagen girls dress, abnormally a aggregation like Barbara, Emma, Caroline, Nonni, and Rosemarie, whose looks about consistently absorb some affectionate of admired best piece. “When I started to go to parties, I begin myself actuality fatigued to my mother’s closet,” Rosemarie says. “I would appearance myself in her floral dresses and corset tops, and it was like bringing these age-old apparel alive.” When she was younger, though, Rosemarie admits that she anticipation her mother looked admirable but a bit accepted and conservative, accustomed the attributes of her job. “With age, I began to booty elements of her accoutrement and try to accomplish them added unconventional, added applied and youthful, so that I could abrasion the clothes on a circadian base or for any occasion,” she says. As Susanne credibility out, these adolescent women accept a agog affection for reclaim and recycling that speaks to a beyond movement. Acute shoppers are gluttonous around-the-clock (often, thrifted) pieces that can be beat afresh and afresh and are application their adroitness to accomplish them feel new, as illustrated in the photos, above.
Each of her accompany chose their admired pieces from Mrs. Vind’s annal and styled themselves for the shoot, which was photographed by addition aing confidant, Joséphine Løchen, and took abode on the Vinds’ 18th-century ancestors acreage esplanade alleged Sanderumgaard in Odense, Denmark. The images represent the Vinds and their roots, but added importantly, they are a adept chic in advice archetypal articles for the amusing media age, while still advantageous admiration to the beautiful beings who came afore us. “It makes me appreciative that these actual fashionable girls can see the aforementioned affection in the clothes that I did aback then,” Susanne says. “After all, my accoutrement was the aftereffect of several ancestors of women and their abundant taste.”
Above, Susanne takes us through a bit of her history and the clothes that already belonged to a lady-in-waiting, now beat by ladies of a new generation.
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