Cynthia Rowley has eschewed a acceptable presentation architecture for a few seasons, opting to present a digitized acquaintance instead. This season, she took it to the aing level. She attempt her bounce attending book and accompanying video on the beaches of Montauk, N.Y., application apparition aerial-drone cameras aureate in with technicians from China. In accomplishing so, the artist said she aimed to actualize an immersive, transportive acquaintance with across-the-board camera angle that showed off the detail of the accouterment as able-bodied as the beachy landscape. “I capital it to accept that aforementioned arresting feeling…of watching a surfer t a beachcomber over and over again,” Rowley said.
Though there wasn’t a distinct overarching affair in her all-embracing bounce lineup, the accumulating seemed disconnected amid clean, avant-garde silhouettes in affirmed neoprene with laser cutouts and added abounding silhouettes featuring blue amphitheater prints and brindled hardware, the closing looks appearing to riff on the Sixties and Seventies. “People accept been adage it looks like a mix of Japanese, Native American, Western, Austrian,” Rowley said.
As usual, she gave her babe affluence of affair frocks, such as a silver-sequined Henley top, a absolutely beaded white dress with a bottomward annual arrangement and a amethyst brim fabricated of disconnected chiffon. The standout looks were done in black-and-white denim busy with floral adornment and adult lace-up details. Fusing a mélange of references, the feminine collection, abounding of her signature dark-based florals, addled the appropriate antithesis amid antic and sophisticated.
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